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Vælge det rigtige papir: En vejledning til inkjet-udskrivning af Elaine Estelle
Photography has long been an art where the final product ends up hanging
in a gallery or at home . Photographers spend time researching what camera
and lenses to purchase. Exposure, shutter speed, depth of field, and lighting
are carefully chosen, then each image is post-processed to achieve a certain
look. Selecting the paper that the image will be printed is equally important.
With the ever-growing number of papers and surfaces available, selecting
one or two can become a confusing and overwhelming task. For the
dedicated photographer, the rewards of producing the perfect print are well
worth the journey. I have put together this guide to help your selection
process.
There is no one “perfect” paper for that special image. Disappointed after
all that buildup? It really comes down to how you want your printed image
to look, then narrowing down your choice, and trying a couple to see which
give the best impression. So where do you start your search?
Before you go out and buy a truckload of different papers to try, here are
two suggestions. To actually see and feel a variety of papers, head on down
to your local camera store. In the paper section there will be one or two
dog-eared booklets containing printed example images on a variety of
papers. That is the best way to see, touch and evaluate what you are buying
beforehand. Why each producer doesn’t make these booklets easier to
come by is beyond me. It is in fact the best selling tool but manufacturers
are very stingy with these sample books. They apparently are worth their
weight in gold.
Your second option is to buy a “Sampler Pack”. What a concept. With one
single purchase you can experiment with half a dozen or so papers to see
what you like. Every paper maker makes these available, often grouped by
application, say Black and White papers, or Fine Art Rag papers.
Surface and Texture. Papers come in a variety of surfaces, from a shiny
gloss to a completely unreflective matte and everything in between. Since
there are no defined standards for gloss, semi-gloss and matte don’t be
surprised if you see other descriptions that describe sheen and texture.
Descriptions like Hi-Gloss, luster, pearl, satin, silk or velvet are relatively
unhelpful if you can't see the final result. It’s best to refer to an example
print for guidance. Here are some broad descriptions.
Gloss is often a good choice for an image that has deep blacks and vibrant
colors. Gloss paper gives the sharpest detail, a number which describes
how deep the blacks are, and a high gamut, which describes the color range
and brilliance. Together, these elements impart the WOW! to the right
image. So why not use Gloss for all your images? Depending on your
lighting setup, a glossy surface can cause some unwanted reflections that
might interfere with seeing the print’s detail. Here your framing and display
setup may be critical. If for example your print will be going into a frame
behind glass, be aware of reflections bouncing between the paper and the
two glass surfaces.
RC papers are coated with a thin layer of polyester to insulate the fiber base
from the ink receptive layer. The term RC (Resin Coated) is a holdover
from traditional silver paper manufacture, and prevents the ink droplets
from penetrating and wicking into the fiber (see the diagram below) .
Printer development engineers have taken great pains to continuously
reduce ink droplet size to a few picoliters. One picoliter is one billionth
of a milliliter. RC papers help to keep those small drops from spreading
and improve the overall print sharpness. The polyester coating also gives
the paper more rigidity.
Thickness and Density. Larger prints require a more substantial paper, and
that is evaluated two different ways. Paper density or GSM, is measured in
grams per square meter and is usually published in the paper specs. Thicker
papers have a GSM in the range of 250 to315. Less than that, and large
prints become floppy and harder to work with. GSM has become the
evaluation standard, and it is uncommon to see thickness or caliper
measurements in the specs for inkjet paper.
Paper Color and Whiteness is often another consideration for paper
selection. Just as you would adjust color temperature when taking a photo
with your camera, paper color can affect the final print.
Whiteness is a measure of how close the paper comes to being “pure white”
and while I don’t know exactly what the gold standard for “pure white” is,
papers can be compared in relative terms.
And speaking of stability or Longevity, inkjet papers now are at least as
stable as their silver chemistry predecessors. Standard testing methods
established by Wilhelm Imaging Research predict that your inkjet prints
will remain unchanged for many decades to come.
For more information, click here: http://fayepaper.com/